11/29/2023 0 Comments Claude debussy compositions![]() This term implies simultaneous use of different keys. According to Elie Schmitz, the so-called polytonality or bitonality is an inherent feature of Debussy’s works. The second source that we may refer to also explores the composer’s performance manner. This book is helpful to the extent that it familiarizes us with the peculiarities of his compositions and warns us against some mistakes that can be committed while performing the Prelude. In point of fact, Claude Debussy always strived to achieve fluidity or smooth transition, but he did not want it to be protracted. They need to maintain equilibrium between this unexpectedness and abruptness. ![]() 1 In this regard, we need to discuss the task that the orchestra must fulfill. We cannot argue that the Prelude abounds in such sudden transitions, yet it has to be admitted that unprepared modulation can be observed in this musical piece. In part, this peculiarity, presents certain difficulties to the musicians. ![]() Overall, his style can be characterized by the so-called unprepared modulations, which means that he is inclined to change from one tonal center to another very in a very unexpected or even abrupt manner. We may draw several examples, substantiating this point of view, but in the vast majority of cases, the impact of impressionism can be traced in Debussy’s slightly improvisational approach, though we should not presume that his compositions are form-free. According to the author, Debussy adhered to the principles of impressionism, which manifests itself in the structure of his musical pieces, their form and the impact that they produce. This work is important because it gives thorough insights into the composer’s style and his performance manner. The first source we should refer to is the book The theories of Claude Debussy by Leon Vallas. Naturally, we cannot presume that some performers distort this composition but sometimes, there are some subtle details that can go disregarded even by distinguished musicians. In what way do various conductors approach this task? In the overwhelming majority of cases the effect that any work produces is determined by the way in which is presented. Finally, we may analyze live or recorded performances of the Prelude. For that purpose, it is necessary to refer to Debussy’s notes, and the comments of prominent musicians, who have already played this composition many times. As regards the piece itself, we should search for the information that illuminates its themes, literary origins, structure, and the functions, fulfilled by each instrument. Overall, it is of the crucial importance to pay attention to those books or scholarly articles, which throw light on such features as: the composers style, and the difficulties, which may arouse in connection with this issue. In particular, we need to focus on the literary and musical sources that conductors can consult while preparing this work for performance. In this paper, we are going to discuss such musical pieces as Prelude to the Afternoon of Faun, created by the famous French composer Claude Debussy.
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